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== Early life == | == Early life == | ||
Born | Born in 1925<ref name="CBG">{{cite web|last=Miller |first=John Jackson |url=http://cbgxtra.com/knowledge-base/for-your-reference/comics-industry-birthdays |title=Comics Industry Birthdays |work=[[Comics Buyer's Guide]] |date=June 10, 2005 |access-date=December 12, 2010 |archive-url=https://web.archive.org/web/20110218031356/http://cbgxtra.com/knowledge-base/for-your-reference/comics-industry-birthdays |archive-date=February 18, 2011 |url-status=dead }}</ref> in New York City<ref name=lam>{{cite web |url = https://www.lambiek.net/artists/s/starr_leonard.htm | title=Leonard Starr| publisher=[[Lambiek Comiclopedia]] | access-date=July 4, 2015| archive-date= December 11, 2014 | archive-url=https://web.archive.org/web/20141211121824/http://www.lambiek.net/artists/s/starr_leonard.htm | url-status=live}}</ref> Starr graduated from Manhattan's [[The High School of Music and Art|High School of Music and Art]] and then studied at [[Pratt Institute]].<ref name="Bails">{{cite web|author-link=Jerry Bails |last=Bails |first=Jerry |author2=Hames Ware |url=http://www.bailsprojects.com/(S(bvo2xq24z2afwj3x5uwubai5))/bio.aspx?Name=STARR%2c+LEONARD |title=Starr, Leonard |work=Who's Who of American Comic Books 1928–1999 |access-date=July 9, 2008 |archive-date=September 28, 2011 |archive-url=https://web.archive.org/web/20110928130907/http://www.bailsprojects.com/%28S%28bvo2xq24z2afwj3x5uwubai5%29%29/bio.aspx?Name=STARR%2C%2BLEONARD |url-status=live }}</ref> | ||
== Career == | == Career == | ||
While attending Pratt during | While attending Pratt during between 1942 and 1943, Starr worked for the [[Harry "A" Chesler]] and the [[Funnies, Inc.]] studios, contributing to the early comic-book features produced at these studios.<ref name="Bails" /> For Funnies, he began as a background artist, eventually inking [[Bob Oksner]]'s pencils. He graduated to drawing for early [[Timely Comics|Timely]]/[[Marvel Comics]] titles, including the [[Human Torch]] and the [[Namor|Sub-Mariner]].<ref name="Bails" /> | ||
Throughout the 1940s, Starr worked for a plethora of publishers of both comic books and [[pulp magazines|pulps]], including [[Thrilling Publications|Better Publications]], Consolidated Book, Croyden Publications, E. R. Ross Publishing, [[Fawcett Comics]] (doing ''Don Winslow of the Navy'', 1944–46), [[Hillman Periodicals]] and M. C. Combs.<ref name="Bails" /> He worked with [[Joe Simon]] and [[Jack Kirby]] on their earlier [[Romance comics in the United States (1946–1975)|romance comics]] titles, in particular the [[Crestwood Publications|Crestwood/Prize]] title ''[[Young Romance]]''.<ref name="Real Love">[[Richard Howell (comics)|Howell, Richard]], "Introduction" to ''Real Love – The Best of the Simon and Kirby Romance Comics" 1940s-1950s'' ([[Eclipse Comics|Eclipse Books]], [[1988 in comics|1988]])</ref> | Throughout the 1940s, Starr worked for a plethora of publishers of both comic books and [[pulp magazines|pulps]], including [[Thrilling Publications|Better Publications]], Consolidated Book, Croyden Publications, E. R. Ross Publishing, [[Fawcett Comics]] (doing ''Don Winslow of the Navy'', 1944–46), [[Hillman Periodicals]] and M. C. Combs.<ref name="Bails" /> He worked with [[Joe Simon]] and [[Jack Kirby]] on their earlier [[Romance comics in the United States (1946–1975)|romance comics]] titles, in particular the [[Crestwood Publications|Crestwood/Prize]] title ''[[Young Romance]]''.<ref name="Real Love">[[Richard Howell (comics)|Howell, Richard]], "Introduction" to ''Real Love – The Best of the Simon and Kirby Romance Comics" 1940s-1950s'' ([[Eclipse Comics|Eclipse Books]], [[1988 in comics|1988]])</ref> | ||
In the late 1940s, he drew for [[EC Comics]], including ''[[List of Entertaining Comics publications|War Against Crime]]'', before working both as an advertising artist and producing a large amount of work for both the [[American Comics Group]] and [[DC Comics]] titles during the early to mid-1950s. His DC work spanned a large number of covers, and work on titles as diverse as ''[[Doctor 13]]'', ''[[House of Mystery]]'', ''[[Gang Busters]]'', ''[[Pow Wow Smith|Pow-Wow Smith, Indian Lawman]]'' and ''[[Star-Spangled War Stories]]'', mainly prior to 1957.<ref name="Bails" /> For ACG, he worked on ''Adventures into the Unknown'', ''Operation Peril'' and ''Soldiers of Fortune'' among other titles.<ref>{{cite web|url=http://www.leonardstarr.com/comics/index.htm |title=Leonard Starr's Comics Work 1945–50; 1951–55 |access-date=May 14, 2017 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20060809212646/http://www.leonardstarr.com/comics/index.htm |archive-date=August 9, 2006 }}. Accessed July 9, 2008</ref> | In the late 1940s, he drew for [[EC Comics]], including ''[[List of Entertaining Comics publications|War Against Crime]]'', before working both as an advertising artist and producing a large amount of work for both the [[American Comics Group]] (ACG) and [[DC Comics]] titles during the early to mid-1950s. His DC work spanned a large number of covers, and work on titles as diverse as ''[[Doctor 13]]'', ''[[House of Mystery]]'', ''[[Gang Busters]]'', ''[[Pow Wow Smith|Pow-Wow Smith, Indian Lawman]]'' and ''[[Star-Spangled War Stories]]'', mainly prior to 1957.<ref name="Bails" /> For ACG, he worked on ''Adventures into the Unknown'', ''Operation Peril'' and ''Soldiers of Fortune'' among other titles.<ref>{{cite web|url=http://www.leonardstarr.com/comics/index.htm |title=Leonard Starr's Comics Work 1945–50; 1951–55 |access-date=May 14, 2017 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20060809212646/http://www.leonardstarr.com/comics/index.htm |archive-date=August 9, 2006 }}. Accessed July 9, 2008</ref> Between 1955 and 1956, he moved from comic books to comic strips with uncredited work on [[King Features Syndicate|King Features]]' ''[[Flash Gordon]]''.<ref name="Bails" /> | ||
[[File:Onstagestarr11774.jpg|center|thumb|650px|Leonard Starr's ''Mary Perkins, On Stage'' (November 7, 1974)]] | [[File:Onstagestarr11774.jpg|center|thumb|650px|Leonard Starr's ''Mary Perkins, On Stage'' (November 7, 1974)]] | ||
== ''Mary Perkins, On Stage'' == | == ''Mary Perkins, On Stage'' == | ||
In 1957, Starr created the comic strip ''[[Mary Perkins, On Stage|On Stage]]'', later titled ''Mary Perkins, On Stage'' for the [[Tribune Media Services|Chicago-Tribune-New York News Syndicate]].<ref name="Bails" /> Characterized by a mix of [[soap opera]], adventure and humor, the strip featured tight, realistic graphics and, from the beginning, strong layouts, design and storytelling. He received the [[National Cartoonists Society]]'s Story Comic Strip Award for ''On Stage'' in 1960 and 1963, and their [[Reuben Award]] in 1965. He continued producing ''Mary Perkins, On Stage'' until 1979.<ref name="Bails" /> Starr | In 1957, Starr created the comic strip ''[[Mary Perkins, On Stage|On Stage]]'', later titled ''Mary Perkins, On Stage'', for the [[Tribune Media Services|Chicago-Tribune-New York News Syndicate]].<ref name="Bails" /> Characterized by a mix of [[soap opera]], adventure and humor, the strip featured tight, realistic graphics and, from the beginning, strong layouts, design and storytelling. He received the [[National Cartoonists Society]]'s Story Comic Strip Award for ''On Stage'' in 1960 and 1963, and their [[Reuben Award]] in 1965. He continued producing ''Mary Perkins, On Stage'' until 1979.<ref name="Bails" /> Starr later cited the work of [[Alex Raymond]] and [[Milton Caniff]] as influences on the strip's artwork.<ref>[[Ron Goulart]],''The Funnies: 100 Years of American Comic Strips'', Holbrook, Massachusetts. Adams Publishing, 1995. {{ISBN|094473524X}} (p. 191)</ref> | ||
== Other work == | == Other work == | ||
Starr returned to comic books | Starr returned to comic books briefly during the 1970s and 1980s, working on "[[Morbius|Morbius, the Living Vampire]]" for Marvel in 1975<ref>{{cite comic| writer= [[Doug Moench|Moench, Doug]] | ||
| penciller= [[Frank Robbins|Robbins, Frank]]| inker= Starr, Leonard| story= Night of the Vampire-Stalker| title= [[Adventure into Fear]]| issue= 27| date= April 1975| publisher= Marvel Comics}}</ref> and providing art for DC's ''[[Who's Who in the DC Universe]]'' (1986) and for a [[Superman]] and [[Lois Lane]] story in ''[[Action Comics]]''.<ref name="Bails" /><ref>{{cite comic| writer= [[John Byrne (comics)|Byrne, John]]| penciller= Byrne, John| inker= Starr, Leonard; Williams, Keith| story= Visitor| title= Action Comics| issue= 597| date= February 1988| publisher= DC Comics}}</ref> For [[Dargaud]] in Paris, he created '' | | penciller= [[Frank Robbins|Robbins, Frank]]| inker= Starr, Leonard| story= Night of the Vampire-Stalker| title= [[Adventure into Fear]]| issue= 27| date= April 1975| publisher= Marvel Comics}}</ref> and providing art for DC's ''[[Who's Who in the DC Universe]]'' (1986) and for a [[Superman]] and [[Lois Lane]] story in ''[[Action Comics]]''.<ref name="Bails" /><ref>{{cite comic| writer= [[John Byrne (comics)|Byrne, John]]| penciller= Byrne, John| inker= Starr, Leonard; Williams, Keith| story= Visitor| title= Action Comics| issue= 597| date= February 1988| publisher= DC Comics}}</ref> For [[Dargaud]] in Paris, he created ''Kelly Green'' with [[Stan Drake]] in 1980. This series of [[graphic novels]] about the sexy and capable female [[action hero]]ine Kelly Green, were illustrated by Drake. In 1985, he wrote and illustrated an action/adventure graphic novel published only in France ''Operation Psy'' featuring Cannonball Carmody. That same year, he was enlisted by artist [[Frank Bolle]] to take over writing the strip ''[[Winnie Winkle]]'' (without credit) which he did until its end in 1996.<ref>[http://www.markcarlson-ghost.com/index.php/2017/02/26/winnie-winkle/ Carlson, Mark. Winnie Winkle–The Saga of America's Working Girl]</ref> He also ghost wrote ''[[Rip Kirby]]'' as a favor to his friend, artist [[John Prentice (cartoonist)|John Prentice]], in the strip's final years.{{citation needed|date=April 2020}} | ||
Starr expanded into animation in the 1980s, as he noted, "Started writing television scripts in the early 1970s, and in 1984 I was asked to develop and write the bible for the animated television show ''[[ThunderCats]]'', and also act as the story editor and head writer. Moved to [[Westport, Connecticut]] in 1970 where I still live today." Starr | Starr expanded into animation in the 1980s, as he noted, "Started writing television scripts in the early 1970s, and in 1984 I was asked to develop and write the bible for the [[Rankin/Bass Animated Entertainment|Rankin Bass]] animated television show ''[[ThunderCats]]'', and also act as the story editor and head writer. Moved to [[Westport, Connecticut]], in 1970 where I still live today." Starr wrote 23 episodes for ''ThunderCats''.<ref>Crichton 2011, p. 81.</ref> He also worked on the Rankin Bass series ''Ghost Warrior'' (1985).<ref name="Bails" /> | ||
In the 1980s, Starr attended as a guest several comic conventions held in New York. Also, he was a guest at the 1982 [[San Diego Comic-Con]], at which he received an [[Inkpot Award]]. | |||
In the 1980s Starr attended as a guest several comic conventions held in New York. Also, he was a guest at the 1982 [[San Diego Comic-Con]], at which he received an [[Inkpot Award]]. | |||
== ''Little Orphan Annie'' == | == ''Little Orphan Annie'' == | ||
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== Later life == | == Later life == | ||
Beginning in 2006, Starr produced new artwork for the covers to the ongoing series of ''On Stage'' reprint volumes published by Classic Comics Press.<ref>[https://www.classiccomicspress.com/collections/leonard-starrs-mary-perkins-on-stage?page=1 Mary Perkins On Stage reprint volumes listing]</ref> To publicize the reprints he was a guest at the 2008 [[New York Comic Con]] and 2009 [[San Diego Comic-Con]]. He died | Beginning in 2006, Starr produced new artwork for the covers to the ongoing series of ''On Stage'' reprint volumes published by Classic Comics Press.<ref>[https://www.classiccomicspress.com/collections/leonard-starrs-mary-perkins-on-stage?page=1 Mary Perkins On Stage reprint volumes listing]</ref> To publicize the reprints he was a guest at the 2008 [[New York Comic Con]] and 2009 [[San Diego Comic-Con]]. He died in 2015, aged 89.<ref name=evanier-obit>{{cite web|last1=Evanier|first1=Mark| author-link=Mark Evanier | title=Leonard Starr, R.I.P.|url=http://www.newsfromme.com/2015/06/30/leonard-starr-r-i-p/|website=News From Me|date=June 30, 2015|access-date=June 30, 2015| archive-date= July 4, 2015 | archive-url=https://web.archive.org/web/20150704012315/http://www.newsfromme.com/2015/06/30/leonard-starr-r-i-p/ | url-status=live}}</ref> | ||
Classic Comics Press | Classic Comics Press announced plans to publish Cannonball Carmody in English for the first time plus excerpts of sketchbooks from early in Starr's career.<ref>[https://www.classiccomicspress.com/pages/cannonball-adderly Cannonball Carmody]</ref> | ||
== Screenwriting == | == Screenwriting == | ||
Revision as of 02:40, 7 March 2025
Template:Use American English Template:Use mdy dates Template:Infobox comics creator Leonard Starr (October 28, 1925 – June 30, 2015) was an American cartoonist, comic book artist, and advertising artist, best known for creating the newspaper comic strip On Stage and reviving Little Orphan Annie.
Early life
Born in 1925[1] in New York City[2] Starr graduated from Manhattan's High School of Music and Art and then studied at Pratt Institute.[3]
Career
While attending Pratt during between 1942 and 1943, Starr worked for the Harry "A" Chesler and the Funnies, Inc. studios, contributing to the early comic-book features produced at these studios.[3] For Funnies, he began as a background artist, eventually inking Bob Oksner's pencils. He graduated to drawing for early Timely/Marvel Comics titles, including the Human Torch and the Sub-Mariner.[3]
Throughout the 1940s, Starr worked for a plethora of publishers of both comic books and pulps, including Better Publications, Consolidated Book, Croyden Publications, E. R. Ross Publishing, Fawcett Comics (doing Don Winslow of the Navy, 1944–46), Hillman Periodicals and M. C. Combs.[3] He worked with Joe Simon and Jack Kirby on their earlier romance comics titles, in particular the Crestwood/Prize title Young Romance.[4]
In the late 1940s, he drew for EC Comics, including War Against Crime, before working both as an advertising artist and producing a large amount of work for both the American Comics Group (ACG) and DC Comics titles during the early to mid-1950s. His DC work spanned a large number of covers, and work on titles as diverse as Doctor 13, House of Mystery, Gang Busters, Pow-Wow Smith, Indian Lawman and Star-Spangled War Stories, mainly prior to 1957.[3] For ACG, he worked on Adventures into the Unknown, Operation Peril and Soldiers of Fortune among other titles.[5] Between 1955 and 1956, he moved from comic books to comic strips with uncredited work on King Features' Flash Gordon.[3]
Mary Perkins, On Stage
In 1957, Starr created the comic strip On Stage, later titled Mary Perkins, On Stage, for the Chicago-Tribune-New York News Syndicate.[3] Characterized by a mix of soap opera, adventure and humor, the strip featured tight, realistic graphics and, from the beginning, strong layouts, design and storytelling. He received the National Cartoonists Society's Story Comic Strip Award for On Stage in 1960 and 1963, and their Reuben Award in 1965. He continued producing Mary Perkins, On Stage until 1979.[3] Starr later cited the work of Alex Raymond and Milton Caniff as influences on the strip's artwork.[6]
Other work
Starr returned to comic books briefly during the 1970s and 1980s, working on "Morbius, the Living Vampire" for Marvel in 1975[7] and providing art for DC's Who's Who in the DC Universe (1986) and for a Superman and Lois Lane story in Action Comics.[3][8] For Dargaud in Paris, he created Kelly Green with Stan Drake in 1980. This series of graphic novels about the sexy and capable female action heroine Kelly Green, were illustrated by Drake. In 1985, he wrote and illustrated an action/adventure graphic novel published only in France Operation Psy featuring Cannonball Carmody. That same year, he was enlisted by artist Frank Bolle to take over writing the strip Winnie Winkle (without credit) which he did until its end in 1996.[9] He also ghost wrote Rip Kirby as a favor to his friend, artist John Prentice, in the strip's final years.Template:Citation needed
Starr expanded into animation in the 1980s, as he noted, "Started writing television scripts in the early 1970s, and in 1984 I was asked to develop and write the bible for the Rankin Bass animated television show ThunderCats, and also act as the story editor and head writer. Moved to Westport, Connecticut, in 1970 where I still live today." Starr wrote 23 episodes for ThunderCats.[10] He also worked on the Rankin Bass series Ghost Warrior (1985).[3]
In the 1980s, Starr attended as a guest several comic conventions held in New York. Also, he was a guest at the 1982 San Diego Comic-Con, at which he received an Inkpot Award.
Little Orphan Annie
In 1979 he revived the comic strip Little Orphan Annie. The strip had been in reprints since 1974 after a string of unsuccessful artists had succeeded the famous creator Harold Gray, who had died in 1968. Retitled Annie, Starr's incarnation of the strip received the National Cartoonists Society's Story Comic Strip Award in 1983 and 1984. Starr continued it successfully until his retirement in 2000.[3]
Later life
Beginning in 2006, Starr produced new artwork for the covers to the ongoing series of On Stage reprint volumes published by Classic Comics Press.[11] To publicize the reprints he was a guest at the 2008 New York Comic Con and 2009 San Diego Comic-Con. He died in 2015, aged 89.[12]
Classic Comics Press announced plans to publish Cannonball Carmody in English for the first time plus excerpts of sketchbooks from early in Starr's career.[13]
Screenwriting
Television
- Festival of Family Classics (1972)
- ThunderCats (1985–1987): seasons 1–2 head writer
- SilverHawks (1986)
- The Comic Strip (1987)
Film
- The Red Baron (1972)
References
Further reading
- Amash, Jim (2012). Alter Ego Nos.110-113. In-depth four part interview with Starr on his career.
- Cobb, David. "When it got to be moose-hunting time in the bar, Starr turned up On Stage". Toronto Telegram. December 9, 1967. p. 28
- Crichton, David (2011). Hear the Roar!. Telos Publishing.
External links
- Leonard Starr official site
- NCS Awards
- Template:Webarchive
- Template:IMDb name
- Leonard Starr cartoons: An inventory of his cartoons at Syracuse University
- Hanging Out with Leonard Starr by John Lustig
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ 3.00 3.01 3.02 3.03 3.04 3.05 3.06 3.07 3.08 3.09 3.10 Template:Cite web
- ↑ Howell, Richard, "Introduction" to Real Love – The Best of the Simon and Kirby Romance Comics" 1940s-1950s (Eclipse Books, 1988)
- ↑ Template:Cite web. Accessed July 9, 2008
- ↑ Ron Goulart,The Funnies: 100 Years of American Comic Strips, Holbrook, Massachusetts. Adams Publishing, 1995. Template:ISBN (p. 191)
- ↑ Template:Cite comic
- ↑ Template:Cite comic
- ↑ Carlson, Mark. Winnie Winkle–The Saga of America's Working Girl
- ↑ Crichton 2011, p. 81.
- ↑ Mary Perkins On Stage reprint volumes listing
- ↑ Template:Cite web
- ↑ Cannonball Carmody